Monday, 17 April 2017

Archbishop Sheen Narrates...

Archbishop Fulton J. Sheen narrates the Traditional Latin Mass:


The Mass in this clip was filmed on Easter Sunday, 1941, at the Church of Our Lady of Sorrows, the Church of the Servite Order in Chicago. The celebrant was Revd. Fr. J. R. Keane, O.S.M. Deacon and Subdeacon were Revv. Hugh Calkins, O.S.M., and Frank Calkins, O.S.M., respectively. The musical setting of the Ordinary of the Mass, 'The Mass of Christ the King,' was composed by Rev. Edwin V. Hoover. The Schola Cantorum of the Mundelin Seminary, Chicago, under the direction of Revd. Fr. Joseph T. Kush, C.G.M., sang the proper of the Mass.

In the course of his narration, Archbishop Sheen said: “It is a long-established principle of the Church never to completely drop from her public worship any ceremony, object or prayer, which once occupied a place in that worship.” Mind you, that was in 1941. What a difference 70 years makes!

Sunday, 16 April 2017

The Sequence of Easter

The Sequence in the Gregorian Rite is a rare thing. One of the more radical changes made by St. Pius V in the Missal of 1570 was the reduction in the number of Sequences to four - with the Stabat Mater Dolorosa added by the saintly Pope Benedict XIII in 1727, perhaps incongruously for the rank of the feast, for the Seven Dolours of Our Lady in Passion Week.

The other four are the Sequences of Easter, Victimae Pascali Laudes, of Pentecost, Veni Sancte Spiritus, of Corpus Christi, Lauda Sion Salvatorem, and All Souls, Dies Irae.

The Sequence is a hymn that is sung on particular feasts immediately before the Gospel. Taken with the long Tract of the First Sunday of Lent, the effect can be the heightening of expectation before the singing of the Gospel. However, the Sequence, unlike the Introit and the Gradual and Alleluia, seems to emphasise the text over the music. That is to say, there are generally fewer notes per syllable, making the Sequences resemble speech more closely. That would seem to indicate that the Church intended the text of the Sequence to be far more like a Lesson (a reading) than a Chant. It seems to me, therefore, that the faithful should give great attention to the Sequences, both as hymnody and as texts upon which to meditate.


In the first clip, the ladies from gloria.tv sing the usual chant version of Victimae Pascali Laudes. It is rhythmic and syllabic. It is also strophed, which is a common feature of the Sequences. That is to say, the melody of each line is repeated in the next. Compare this with the other four 'original' sequences.


The second clip has an irresistable energy to it that may not be quite correct as plain chant but, as liturgical music, does not depart very far from Gregorian Chant itself, while being a distinctive form. It certainly captures the victorious and triumphant theme of Easter.

Tuesday, 4 April 2017

St. Tighernach of Clones and Clogher - god-son of St. Brigid

Dr. Lanigan, in his work, An ecclesiastical history of Ireland, Chapter IX, relates of St. Tigernach, as follows:

"St. Maccarthen of Clogher, whose history I have been obliged to anticipate, died, as already stated, in the year 506; and, as some say, on the 24th of March. He was succeeded by St. Tigernach, who fixed his see or residence at Cluaneois (Clunes or Clones) in the county of Monaghan, still retaining government of the church of Clogher, for which reason he was surnamed Ferdachrioch, or the man of two districts. He is said to have been of a princely family, grandson, by his mother, of a king Echodius, and to have had St. Brigid for godmother, through whose recommendation he was raised to the episcopal dignity. He had received his clerical education, as we are told, in the monastery of Rosnat in Great Britain under the holy abbot Monennus, and, it seems founded that of Clones before he was appointed bishop."

Dr. Lanigan comments on the association of St. Brigid with St. Tigernach:

"If this narrative deserves credit, we must suppose that St. Brigid's standing as godmother for Tigernach was in her younger days, and, at least 30 years before A.D. 506. On this occasion it is observed that whoever was recommended for the episcopacy by St. Brigid, was immediately approved of and chosen by the clergy and people. (Compare with what has been said about Conlaeth of Kildare Chap. VIII, No. 10)"

Dr. Lanigan, in a passage that is a model of his scholarship and his prose, speculates upon the location of Rosnat Abbey:

"Where was that monastery of Rosnat? Neither the Monasticon Anglicanum, Stevens, Tanner, Nasmith, nor Camden have, as far as I could discover, a word about it, although it is often mentioned in the Acts of some Irish saints. In those of Tigernach, quoted by Colgan (ib.) it is observed that it was otherwise called Alba, or white. Colgan hence concludes that it was no other than the famous monastery of Bangor or Banchor near the river Dee a few miles from Chester, which must be carefully distinguished from the present episcopal town Bangor, which lies far to the West of where the monastery stood. (See Usher, p. 183.) His chief argument is that Ban, in Irish, signifies white, and so Ban-chor was the same as white choir. But, waving certain doubts concerning the said monastery having existed at that early period, it is to be recollected that Ban has not that signification in the British language, which is that to be looked to in this inquiry. I suspect that Rosnat or Alba was the celebrated see called Candida casa or White house, now Whitethorn. (See Not. 149, to Chap. 1.) The illustrious Ninia or Ninian had founded that see in the 5th century, and there can be no doubt of an ecclesiastical school having been established there. (See Usher, p. 661. seqq.) When we read of Nennio being the bishop, to whom some Irish students were sent, this, I believe, must be understood as originally meaning that they were sent to the school held in the see or Nennio or Ninia, who was dead before Tigernach or Finnian could have repaired thither. And in fact Finnian's master is called Mugentius, and what is very remarkable, the place Candida (AA. SS. p. 634). The master of Endeus of Arran, who is also said to have been at that school, is called not Nennio but Mansenus. Let me add that Candida casa lay very convenient for students from the North of Ireland; and it is worth observing, that of those, who are spoken of as having studied at Rosnat or Alba, scarcely one is to be found that was not a native of Ulster. There is a village and parish in Dumbartonshire, called Roseneath, anciently Rossnachioch, (Stat. Acct. of Scotland, Vol. IV. p. 71.) But there is no mention of a monastery having been there."

He goes on to quote from the Four Masters regarding the death of the Saint:

"An. 548 (549) St. Tigernac, bishop of Cluaineois, died on the 4th of April."

The Martyrology of Donegal gives his death as 4th April, 548, and gives something of his descent as follows:

"Bishop of Cluaoi-eois in Fera-Manach, or it is between Fera-Manach and Oirghialla Cluain-eois is. Tighernach is of the race of Cathaoir Mór, Monarch of Erinn, of the Leinstermen. Dearfraoich, daughter of Eochaidh, son of Criomhthann, king of Oirchiall, was his mother."

In the Life of St. Tighernach, quoted in Butler's Lives of the Irish Saints, it is stated that, while passing through Kildare, city of St. Brigid, with his foster-father, Cormac, who may well have been his maternal grandfather, the future saint was baptised by St. Conleth. Butler continues:

"From the foregoing narrative, Bollandus infers, that as Conlaid had been a bishop, when he baptized St. Tighernach, his elevation to the episcopal rank must have been accomplished previous to A.D. 480. For, St. Maccarthen died in the year 506; and, he was immediately succeeded in the See of Clogher by St. Tighernach. Supposing correctness in the foregoing account, it is conjectured, his baptism must have taken place, at least thirty years before the latter date, and during the younger days of his godmother, St. Brigid."

St. Tigernach of Clones and Clogher, pray for us!